I’m very pleased to say I’ll be performing the piece at The Basement in Brighton as part of a double bill (along with Superbard) Wednesday 18th April. Look here for tickets and the full Spring 2012 Programme. And watch out for some more exciting announcements very soon regarding upcoming outings for the piece in London and beyond.

While alone in the studio (OBVIOUSLY between serious artistic thinking about THE WORK), I played around with some images from the piece with my camera and a mirror. Look:

More images here if you’re into that kind of thing.

I’ve been really interested lately in true stories and what makes them compelling, what can make them theatrical and why I love hearing them so much. I’ve been obsessed with The Moth and Risk! for awhile. Listening to those podcasts and hearing people tell true stories has made me laugh out loud, shed a little tear or make cringey faces on public transportation many times. So I thought it would be awesome to organise a night where a bunch of people got together and heard some brilliant people tell true stories.

I’ve been to a few other true storytelling events in London, and found that while they were very nice, they weren’t quite what I saw in my head. Some of them felt a little stagey, at some it felt like the storytellers were verging a little too far into Performing and self-promotion for my liking, and at some I just didn’t feel very welcome.

The aim of Homebrewed is to build an evening out of those awesome nights at the pub where you have a few too many pints and start telling stories. You divulge things, you have a laugh and learn a little about other people. I want to give us all an excuse to have one of those nights. Homebrewed is relaxed, supportive and friendly. And importantly it will never take place in a traditional performance space.

Here’s the vital info:

When: Thursday, 23rd February (18.30 for drinks, 19.00 event starts)
Where: LXV Books on Roman Road.
Tickets: Buy one secondhand book in the shop that evening and that will admit you to Homebrewed.

I’m pleased to announce the terrific people telling true stories at Homebrewed:

Anne Langford
Ryan Millar
Tiffany Charrington
Stephen Connery-Brown.

Please do come out and support them, it will be all kinds of awesome. RVSP on Facebook here or just show up on the night.

One more thing. Why is it called Homebrewed, you ask? Well, it’s for a few reasons. The first one is that the word implies a sense of DIY; of cobbling something together and concocting something with a few ingredients and a little elbow grease, but also taking care to mix things just how you want them and making it with a little of yourself thrown in. That’s how stories at Homebrewed should be.

The other thing is that my dad used to brew beer with his friends when I was a kid (there was a very fizzy root beer option for my sister and me), and they would have these nights where they would work on the upcoming batch while drinking the previous one. Everyone would sit around the kitchen table laughing and telling stories, and when I think of what I want for the feel of Homebrewed, that’s it.

Hope you can make it.

EDIT: Catriona James will now be joining us to tell a true tale. LUCKY YOU.

I took a walk down Main St and saw some things. Here they are.

I just want to get some thoughts down here about Live Art Speed Date and one-to-one performance before I lose them.

Live Art Speed Date is basically a night where audience members shuffle around to loads of artists spread all around the building for 4-minute one-to-one encounters. I had a great experience doing The Backseat of My Car (and other safe places) this weekend at STK. It’s a one-to-one performance in a car, and involves a bit of storytelling where the audience member becomes someone in the story.

It was my first experience on the artist end of a one-to-one piece, and I learned loads from it—from STK, from the other artists involved and from my audience members—but there are two major things that I want to make sure to carry forward. I don’t know that they’re necessarily universal Things about one-to-ones, but they apply to the way I’d like to work carrying forward:

1. Take care of your audience member. In the one-to-one context—moreso than in a more conventional theatre set up or any kind of performance where there’s a performer performing to a group—it became apparent to me what a responsibility it is for the artist to take care of the audience member. You can lead them to uncomfortable places and the experience doesn’t necessarily have to be just frothy and frivolous (though that’s fun too), but you have to recognize that they are brave in stepping into an unknown encounter where you’re in charge. I had lovely, amazing, generous audience members most of the time, and I want to make sure, going forward, that I’m prepared to reward them for taking chances in the context of the performance.

2. It’s ok for performances to be gentle. I had a nice chat with another artist about how it can be difficult—when other people are doing amazing, thrilling, colourful, loud performances—to feel that it’s ok to be gentle, quiet or melancholic, and that can be enough. It’s nice to have different textures and styles, and they’re all important.

I had some very lovely/funny/uncomfortable moments with my audience members, and I was genuinely astounded by the generosity of some people, giving themselves up and coming with me for four minutes. Looking forward to discovering more about how one-to-one performance can work.

Thanks to STK for letting me do it.

I’ve finally got around to uploading it, and here it is:

I’ve just finished a few performances of I never even killed a bird at The Yard. It’s a storytelling piece with projected illustration that started life a few months ago at Samantha’s Sunday Night Supper Club. I had loads of fun and had some really great audiences in.

It was such a funny experience, sharing a bit about my life with an audience in the context of a show, but I was reminded how much I really love connecting with people in that context and how much people appreciate it when a performer really shares something of themselves. Loveliness all around.

Also: I got to draw some things…

…and I made up a song.

So thank you super-mega-bigtime to:

-everyone at The Yard for making what they’ve made (which is pretty special) and giving me the opportunity and an excuse to try out my little idea. If you haven’t been there yet, go. It’ll only be there through October. Great art, nice people, gorgeous food.

-Camille Bozzini for providing me with perfect publicity illustrations.

-Othello Woolf for letting me use his music in my trailer and in the show.

-Tom Elstob (The Idol Rich) for helping me make up a song.

-Hetty and Bryony for providing me with an essential outside eye when I started going crazy in a rehearsal room on my own.

All photos by the amazing Katherine Leedale.

And lastly, I’m THRILLED to say I’ll be performing I never even killed a bird on two more occasions this month:

October 13th, 7pm at LVX Books in Bethnal Green. It will be a lovely little intimate performance in the bookshop. Looking forward to doing some storytelling surrounded by books.

October 28th and 29th as part of the nabokov Arts Club at BAC. This will be an awesome night by nabokov, filling every space at BAC with theatre, comedy, performance, happenings, music, DJs, etc. It will basically be All The Art. You’ll find me both nights tucked in an upstairs room with a fire in the fireplace projecting on the walls and telling a story. I’m beyond excited about this.

PLEASE DO come to either (or both!) of these. I promise they’ll be awesome. And totally fun.

I mean, Inmate Renshaw will be there…

All for now.

G

1. You get to hear about Texans and their guns.
2. Dolly Parton may or may not be there.*
3. Find out the truth about Jerry Hall.
4. Visit the lovely Yard Theatre.
5. Experience my mad ukulele skillz.**

Fri 16th, Sat 17th September
7.30pm
The Yard, Hackney Wick

*She won’t.
**I don’t really have mad ukulele skillz.

The competition involves making a film on a Super 8 camera with a single roll. No editing, no retakes. You just shoot the film, record the audio and send it in. The first time you ever see your own film is at a screening with everyone else.

Our film is called ‘Sarah’, and it’s about a lovely lady called Sarah. Sarah’s favourite book is The British Locomotive Shed Directory, and she loves nothing more than to jump on a train with a flask and a packed lunch and head out for a full day of spotting. Shedspotting.

The idea for the film came from an improvisation weekend I did with Likely Story a few months back. Sarah came from a character Anne Langford created while we were improvising in a bookshop, and Doug and I thought the character of a wistful shedspotter would fit the nostalic feel of the Super 8 perfectly.

The beauty of Straight 8 is that it’s all about getting out there and doing it. Aside from playing around in Dorset awhile back, I had never made a film before. Neither Doug nor I had ever used a Super 8 camera before, but under the pressure of creating a film on one roll, we just had to jump in and go for it.

I learned loads, and I know there were loads of things both of us would do differently if we did it again, but that’s kind of the point of doing it, I guess. You gotta make stuff to get better at making stuff.

‘Sarah’ was chosen to be screened at the ICA next week as part of Rushes Soho Shorts Festival which we’re mega-pleased about. We’ll be there, and in front of an audience we’ll see our film for the first time. You can get a ticket here if you fancy coming along to a night of Straight 8 films. Ours will be on Tues, the 26th July.

So thanks to Doug, Hetty and Anne (who played Sarah) for making the film, thanks to Dentsu London and Straight 8 for giving us an excuse to do it, and congratulations to the other Dentsu teams who were chosen for screenings.

It was the most painful thing I have ever endured.

But on the upside, I’ve got some great Where’s Waldo-style shots of me running with some Swedes.

See if you can spot me in the centre with a red running top and sunglasses:

And my forehead:

Also, Stockholm and the archipelago are BEAUTIFUL.