Greg Wohead is a writer, performer and live artist. In his work, he draws on a range of references and interests including the instability of autobiography; the currency, images and emotional hitpoints of TV and film; the weirdness of reenactment and the wicked fun of fan fiction.

His most recent collaborative work with Cão Solteiro, THE MAN WHO WAS A SPOON, uses unscripted conversations on human perception together with the Pepper’s Ghost effect to create a sort of haunted funhouse. Solo work In Floods is a live TV script reading with bright lights and total darkness on the mundane weirdness of funerals, family and autobiography. Heading Against the Wall with Cão Solteiro and filmmaker André Godinho, is composed of a live performance in a Lisbon nightclub and a simultaneously broadcast online film. Crack of Dawn, a durational work presented with GIFT, was performed online continuously from sunrise to sunset. Story #3 (Gaping Hole), his collaboration with Rachel Mars revolving around plot holes, was a commission by Ovalhouse in London to make a performance that involved destroying parts of the building. He worked with Gillie Kleiman to make Familiar, a performance in two parts about significant otherness through a canine lens, which premiered at Fierce Festival in Birmingham.

Other internationally touring works include Call It a Day (a live art Amish Groundhog Day); Celebration, Florida (a performance on longing enacted by two unrehearsed performers); Comeback Special (a sort-of reenactment of Elvis Presley’s ‘68 Special); Hurtling (a rooftop performance for one); Story #1 (a wicked exploration of narrative with Rachel Mars) and The Ted Bundy Project (a performance on morbid curiosity using a serial killer’s confession tapes).

Greg’s work has been commissioned, developed and seen at theatres and festivals across the UK, USA and Europe over the last decade. Look here for past performances.