Greg recently completed a practice-as-research PhD at University of Bristol titled Just a Stage: Resistant Potentials of Weirding the Self in Performance. His research interests stem from his artistic practice and include approaches to weirdness, the self in performance, queer performance, post-capitalist thought, durational and unscripted text work, and temporality in performance.

Greg teaches regularly at a university level, having created modules, led workshops and offered mentoring in theatre and performance at University of the Creative Arts at Farnham, the Royal Central School of Speech and Drama, Reading University and Chichester University. He was a long term Associate Artist at Shoreditch Town Hall and the Yard in London, where he supported, mentored, provided dramaturgy and worked as an outside eye for many emerging artists.

He has written contributions to publications like DIY Too, devised by Robert Daniels; In Other Words 2, co-curated by Kate Marsh, Harold Offeh and Xavier de Sousa and published by Metal; and Paper Stages 2020 by Forest Fringe. His work was written about by Maddy Costa in Performance in an Age of Precarity by Costa and Andy Field.